"God Does Not Sing Our Song", the new video from
KINGDOM COME, the German hard rock band led by singer
Lenny Wolf, can be seen below. The clip was filmed and produced by
Tim Aßmann and co-produced by
Lenny Wolf.
Released digitally worldwide on April 5,
"God Does Not Sing Our Song" comes off
KINGDOM COME's new album,
"Outlier",
which will be made available in Germany on April 26, in the rest of
Europe on April 29 and in the U.S./Canada on May 7 through
SPV/
Steamhammer.
"God Does Not Sing Our Song" single track listing:
01.
God Does Not Sing Our Song (radio version)
02.
God Does Not Sing Our Song (album version) (taken from "Outlier")
03.
Should I (taken from "Rendered Waters")
"Outlier" track listing:
01.
God Does Not Sing Our Song (04:05)
02.
Running High Distortion (04:14)
03.
Rough Ride Ralleye (04:35)
04.
Let The Silence Talk (03:29)
05.
Holy Curtain (03:59)
06.
The Trap Is Alive (04:41)
07.
Skip The Cover And Feel (03:37)
08.
Don`t Want You To Wait (04:31)
09.
Such A Shame (03:18)
10.
When Colors Break The Grey (05:03)
Commented
Lenny: "Some people asked me to share a few thoughts about my single
called 'God Does Not Sing Our Song'. I think the song itself speaks
louder than words, but I will try to share some thoughts behind the
obvious.
'Why did I write that song? Because I am a musician.
"Why
that title? The title is reflecting my thoughts about people abusing
the 'name of God' to justify their sick and often very destructive
behavior. God may be watching, but I'm sure he is 'NOT always singing
along.'
"What makes you decide in which form you create a song? I
got no master plan. I am more like a five-year-old plugging the guitar
chord into the endless audio universe hoping to catch some cool
frequencies. Lately I caught a lot of heavy guitar signals which were
asking to be used in a powerful song. I tried my best.
"Do I
believe in God? I believe in a higher force which can be called God or
orange shoe. I don't need to sit in a man-made building with steep roofs
to 'feel closer or more connected,' but if that works for other people,
that, of course, is perfectly alright. In whichever direction or
whatever name people are praying to, I rather follow a good heart than
thousands of pre-written phrases.
"What is my outlook on our
future? Fanaticism and ignorance is a deadly combination. We got a lot
of this around poisoning our planet. I don't have the answer to it all,
but I think it would be a great first step to go by a simple saying:
'Live and let live' — with enough space and respect for one another. As
long as people trying to force their believes onto others, we are bound
to have conflicts coming our way. Some should remember weather they are
guests or locals before wanting to change the furniture!
"In
case I bored you, next time I will write about something much more
original like: Oohh babe, I will never leave you, I'll do anything for
you, tonight is the night, I'm so sorry, please let me bend over so that
you can find the perfect place to kick me harder than ever, etc. etc."
Fame and fortune have always played a minor role in
KINGDOM COME mastermind
Lenny Wolf's
longstanding career. In fact, his more than 30 years as an artist have
been fuelled first and foremost by musical challenges and the desire to
keep evolving. His credo has always been authenticity before commercial
considerations.
"Naturally, nobody is happier than I am when my
music is loved by as many fans as possible," he says, "but these kinds
of aspects are irrelevant when it comes to creating a new album. The
only thing that matters is testing myself as an artist and embarking on
new paths."
To avoid any misunderstandings: the new
KINGDOM COME album,
"Outlier", presents flawless rock music with a welcome tendency towards melancholia and a gift for anthems. But with
"Outlier",
Lenny
is starting a new chapter of his diverse creative career, expertly
positioning his charismatic voice between traditional rock structures
and modern sound elements, which add a third dimension to this album.
"I
simply felt the need to delve deep inside of me and run riot in the
infinite expanse of the audio cosmos. The result is a friction of
mercilessly mechanical, heartless sound collages, combined with my
typical melancholy-melodious style,"
Wolf explains the album's
artfully interwoven experimental approach to his sound, which never
detracts from the familiar atmospheric basic mood of his songs. "A whole
number of souls happen to dwell in my breast, which is why
experimentation and the development of my musical existence simply
belong together."
Lenny purposely takes into account that this
approach may also lead to friction and requires an open mind of its
listeners: "It's of secondary importance to me whether this is clever in
business terms. To me, it's all about creating optimum varieties of
sound signals which go through the ear straight into the heart. Some
call it a vocation. Hallelujah."
A vocation which is reflected in ten haunting, stirring and diverse songs. Some numbers are welcome reminders of
KINGDOM COME's glorious past, other songs document a future-oriented direction.
"I could have written a track such as
'Let The Silence Talk' back in 1988 during our
'In Your Face' period, whereas listening to
'Rough Ride Rallye' and
'When Colors Break The Grey' for the first time may have you think: Oops, what's all this about,"
Lenny confesses, knowing fully well that it's precisely those opposite poles which make
"Outlier"
a very special album. Especially since "one song by itself cannot
reflect the character of a whole album. To understand this record, you
have to take time and become one with those compositions, some of which
are extremely diverse."
"Outlier" is well worth the effort, especially in view of the album's deep lyrical content. As ever,
Lenny's lyrics are personal snapshots straight from his soul, touching on autobiographical subjects on
"Don't Want You To Wait" and documenting — for example on
"God Does Not Sing Our Song" and
"Skip The Cover And Feel" — an attitude which is as fierce as ever and deeply rooted in
Lenny Wolf. He has also consciously chosen the album title in line with this: "The term
'Outlier' suits me to a tee. It symbolizes my whole personality, the musical media I work with, the story of my life."
"Outlier" was recorded at
Wolf's own Hamburg studio, the
Two Square Noise Factory. With the exception of the solo guitar parts contributed by
Eric Förster, all instruments were recorded by the
KINGDOM COME boss himself. In addition,
Wolf produced, engineered, mixed and mastered his new album.
"Eighteen
months of struggle and madness lie behind me, a period which saw me go
through the usual alternating bath of euphoria and doubt," he says. "As
an artist, you can never be quite sure just what you've cooked up, but I
happen to be an idealist and simply have to keep embarking on new
adventurous journeys. The path of predictability has never satisfied
me."
"Outlier" is
KINGDOM COME's first studio album featuring completely new material since the arrival of their 2009 release,
"Magnified". The album is bound to provoke discussion, in every respect, which is precisely the intention
Lenny
has with his compositions: "I never write to please anybody, I simply
stretch my means of expression as a musician as far as possible. Always
in the hope that others will like the result."